Several Lost alums making up for a certain co-star’s extremely selfish opinion. Daniel Dae Kim is forever as valiant and charming as Jin was. Maggie Grace is a steady voice of reason with just the right amount of bite. Harold Perrineau apparently helped Henry Ian Cusick’s son travel home safely. We have to go back…to leave Kate on the island.
Meg Cabot writing about the coronavirus outbreak from Princess Mia’s perspective.
The Broadway community fundraising, performing, and congregating via live-streamed shows. Seth Rudetsky’s “Stars in the House” series and Broadway.com’s “Live at Five: Home at Edition” occur daily, and Rosie O’Donnell’s conversation with Matthew Broderick and Sarah Jessica Parker during her benefit show still delights me (they’re just at home watching Columbo and doing laundry!).
Welp, this is a weird situation, right? Given the current global climate, I hope everyone is safe and taking care of their mental and physical health right now. After a few anxiety-ridden days, I’m aiming to take a break from news coverage this weekend, sit in the yard and soak up some sun, and dedicate this extra time to TV I wouldn’t be watching otherwise.
Most of my TV consumption this week was dedicated to that hot mess of a Bachelor finale, and now fans don’t even have the guarantee of Clare Crawley’s Bachelorette season to anticipate. Obviously, I appreciate the caution that so many industries, including entertainment, are demonstrating in these circumstances, but the possible aftermath of all of these filming delays is definitely interesting. The month-long suspension of all Broadway shows also happened at the worst possible time for theater, as the majority of new, Tony-eligible productions traditionally open throughout March and April. Just thinking about those performers, crews, house staff, and anyone slated to make their Broadway debut soon is heartbreaking. It’s better to be safe than sorry, but the thought of the financial and logistical impacts on certain fields of the entertainment industry hurts my heart a little.
Beyond the Screenplay and IndieWire Filmmaker Toolkit, breaking down films from the perspectives of screenwriters, directors, and editors.
Mamas Talkin’ Loud, covering the lives of mothers working in theater and fueling inspiration for a budding writing project.
Any podcast interview with Greta Gerwig I can find, with favorites including her talks with Scriptnotes and Five Things with Lynn Hirschberg.
I’ve never really identified as a fan of reality TV. With the exception of the Bachelor franchise, I don’t watch what I think reality TV has become nowadays – irritable housewives’ Bravo shows, the ever-persistent singing competitions, and delectably sweet baking shows.
Instead, I associate more with the earlier concepts of the genre. Strangers thrown into a house together, competitors in a remote location proving survival of the fittest, and relatively unproduced docu-series. Starting from when I was nine years old and lasting throughout my teens, the age of reality TV’s rise and fall left a decent influence on my cultural identity. I hope you’re ready for a trip down memory lane, because I wanted to share thoughts about some of the reality TV seasons that most contributed to this shaping.
America’s Next Top Model, Cycle 6
The first eight cycles of America’s Next Top Model summarize exactly what was so great about reality TV in the early 2000s. Contestants still didn’t realize how production could portray them wrongly, social media fame didn’t quite exist yet, and personal fashion was simultaneously simple and horrendous. I also love Cycle 3 and its whackily entertaining cast, but I was first introduced to ANTM through an MTV weekend marathon of Cycle 6. Can you even call yourself an ANTM fan if you don’t live for Jade’s one-liners in this season? On top of that, the rest of the cast was also funny and complex, and Tyra Banks was at her peak of zaniness. I always resort to Cycles 3 and 6 when I need something brainless to play in the background as I do something else. After all, nothing truly beats a reality competition series with all of the old-school ANTM elements.
I wish for…
Taylor Swift to act in something not horrible.
A Bachelorette over the age of 25.
Amy Adams and Jessica Chastain to play sisters in a project.
In 2014, I wrote a post about the five fictional characters I related to most. Those picks are still solid when it comes to who I identify with, but the more I’ve watched since then, the more I’ve seen myself in unexpected ways. You understand different sides of yourself as you grow older, and I feel like the TV characters below have come to represent me in my 20s whereas the picks from my older post feel very much like lifelong representations.
Diana Trout (Younger)
TV became an art form to me as I watched Lost for the first time in my late teens. I obviously loved the medium beforehand, but I know that now because I’ve seen how much the heavily literary message of late ’90s and early 2000s PBS Kids programming influenced who I became. Lost taught me how television adapts ancient narrative devices, philosophies, and instincts into a masterful story, but in between crying about Desmond and Penny’s love and biting nails during Ben and Locke’s confrontations, it is not the show to utilize when you need to turn off your brain and seek healing from TV.
Blame the rom-com revival seemingly surging in response to the state of the world, but I appreciate a TV show that doubles as a gentle salve now more than ever. When it comes to my televisual education, I’ve yet to see Mad Men, Breaking Bad, and probably many other dramas known for their brooding leading men and dark realities. Maybe one day I’ll feel like cracking into those, but for now, I want the stories that simultaneously make you laugh and consider life’s cyclical pattern of generosity and good people getting one through a mess.
Luckily, I’ve found my classic, go-to balms and discovered shows that particularly brought me delight in recent months.
Friends, for being my sitcom standard, the show I can play in the background for an instinctive dose of familiarity if I’m feeling sick, stressed, or upset.
Dinner Date, for confirming that nothing is more captivating than watching a man cook for a date, whether or not he is doing it competently.
Winning a Broadway ticket lottery for the first time.
Finishing and adoring Gavin and Stacey just in time for James Corden’s announcement of a Christmas special.
Soaring through the Morgan Matson books I hadn’t read yet.
Getting the shivers over The Act and reading countless articles about Gypsy Rose Blanchard.
Happy Christmas Eve! I really loved making a list of my favorite pop culture moments last year, and putting together the same post for 2018 was no exception. Part of the reason why I love the entertainment industry is because it soothes our bad days and distracts us from our individual troubles and the world’s issues. Obviously, there are moments when the field overlaps with politics and international concerns (see: #MeToo), but I love recapping what put a smile on my face throughout the year.
What are some of your favorite pop culture memories from 2018?
1) Prince Harry and Meghan Markle get married, Prince Louis is born, Princess Eugenie gets her moment in the sun, Meghan is pregnant…
…and essentially any positive thing to do with the royal family this year. I’m so over all the reports of drama within the family (brothers are allowed to go through tough times and sisters-in-law never have to be BFFs) and would rather focus on their brighter moments. What other year had two royal weddings, a birth of a prince, and the announcement of a beloved couple’s first baby? While watching Harry and Meghan’s wedding, I even grew more emotional than I anticipated, tearing up at Harry’s reaction to his bride, as well as Doria Ragland watching the two of them together. I cried over some of the New York Times’ more personal event coverage and just spent that whole morning marveling over this amazing addition to the British monarchy. Plus, all of the year’s weddings and babies just meant that we all had more chances to see my favorite royal, Princess Charlotte, be the mini-boss lady she totally is.
2) Timeless returns for Season 2 and gets a two-hour finale movie
I first talked about some of my favorite podcasts in July 2017, but since then, I’ve become such a podcast fan that I organize all of the ones I follow by the day new episodes are posted. I work from home and really rely on podcasts to keep me engaged in my work. I know some people can’t focus on tasks with unrelated audio playing, but I’ve found I’m usually fine with some background noise.
The following are podcasts I’ve really grown to love in the past year. I used to only listen to podcasts during work, but I’ve started playing some of these while cooking or doing any other menial task. I prefer interview series and pop culture discussions over true crime or political podcasts, so if you like lighter fare in your podcast lineup, I’d highly recommend any of the picks below!
This is actually a long-running radio show on the UK’s BBC Radio 4, having first aired in 1942. I either listen to it in full form on the BBC’s website, where more recent episodes usually stream easily, or in shortened podcast form on Stitcher or Mixcloud, which both have older interviews that won’t play for me on the BBC site. Featuring both British and foreign guests from various professional industries, each episode asks for its subject to select eight songs they’d wish to have access to as a castaway on a desert island. In between each musical snippet, they discuss their lives, careers, and why these songs stand out to them. For starters, I recommend trying out Tom Hanks and James Corden‘s episodes, and if you’re open to listening to an interview with someone you may not know, Miranda Hart’s is great. I usually veer toward the interviews with film and TV figures, but the podcast’s endless archive includes episodes with politicians, authors, musicians, and more.