Several Lost alums making up for a certain co-star’s extremely selfish opinion. Daniel Dae Kim is forever as valiant and charming as Jin was. Maggie Grace is a steady voice of reason with just the right amount of bite. Harold Perrineau apparently helped Henry Ian Cusick’s son travel home safely. We have to go back…to leave Kate on the island.
Meg Cabot writing about the coronavirus outbreak from Princess Mia’s perspective.
The Broadway community fundraising, performing, and congregating via live-streamed shows. Seth Rudetsky’s “Stars in the House” series and Broadway.com’s “Live at Five: Home at Edition” occur daily, and Rosie O’Donnell’s conversation with Matthew Broderick and Sarah Jessica Parker during her benefit show still delights me (they’re just at home watching Columbo and doing laundry!).
Podcasts are my go-to background noise when I have a low-stakes lineup of tasks at work, but given current situations, I suspect new episodes of my followed podcasts may be few and far between soon. I still have plenty of bookmarked episodes to catch up on, but listening to an author talk about her debut book or following a debate about Nancy Meyers’ greatest film feels a little weird when you’re in such an apocalyptic mood.
So, I figured that nothing is better medicine than singing along to or just playing an uplighting cast recording or movie soundtrack. Yes, I love Hamilton as much as the next gal, and I can practically quote Fiddler on the Roof verbatim, but let’s be real — a lot of those songs are pretty bleak and depressing. The albums below might have their share of slower, reflective songs, but as a whole, they tell stories of optimism and heart, and they have happy endings. The joy entangled in these lyrics and performances is contagious, and even just listening to some of my favorite songs below helped me feel a little lighter. I hope they help you feel the same!
1) Bright Star
Standouts: “If You Knew My Story,” “Whoa, Mama,” “Sun Is Gonna Shine”
This music by Steve Martin and Edie Brickell is inspired by their own bluegrass compositions, but what really makes Bright Star such a soothing listen for me is the voice of leading lady Carmen Cusack. Her performance here scored a Tony nomination during the Hamilton year, which is an accomplishment unto itself. Her delivery is so soulful, and particularly in her single version of “Sun Is Gonna Shine,” you start to believe that everything will be okay. It might be the only cast album I can play without getting bored because every song has a little something that you can appreciate, whether it be a gorgeous note or a moving lyric.
Welp, this is a weird situation, right? Given the current global climate, I hope everyone is safe and taking care of their mental and physical health right now. After a few anxiety-ridden days, I’m aiming to take a break from news coverage this weekend, sit in the yard and soak up some sun, and dedicate this extra time to TV I wouldn’t be watching otherwise.
Most of my TV consumption this week was dedicated to that hot mess of a Bachelor finale, and now fans don’t even have the guarantee of Clare Crawley’s Bachelorette season to anticipate. Obviously, I appreciate the caution that so many industries, including entertainment, are demonstrating in these circumstances, but the possible aftermath of all of these filming delays is definitely interesting. The month-long suspension of all Broadway shows also happened at the worst possible time for theater, as the majority of new, Tony-eligible productions traditionally open throughout March and April. Just thinking about those performers, crews, house staff, and anyone slated to make their Broadway debut soon is heartbreaking. It’s better to be safe than sorry, but the thought of the financial and logistical impacts on certain fields of the entertainment industry hurts my heart a little.
I’ve written before about Desert Island Discs, a BBC-produced podcast that interviews public figures about the eight songs they’d want access to if they were stuck on a desert island. In between explanations of each selected song, they discuss their upbringing, the growth of their careers, and what they anticipate in time to come. Its archive goes back to the 1940s, and while most new episodes feature figures only those in the UK would know, there are also plenty of appearances from American and global stars.
The reasoning behind guests’ song choices varies. Some may pick music that is significant to a certain time in their life or has always meant something to them. Others think more rationally, considering which records they wouldn’t tire of on a desert island. I tried my hand at this selection process with both angles in mind.
1) “Piano Man,” by Billy Joel
Now Paul is a real estate novelist / Who never had time for a wife / And he’s talkin’ with Davy, who’s still in the Navy / And probably will be for life
If you were born and raised on Long Island in the last 50 years, a love for Billy Joel and this particular song runs through your blood from the very second of your first breath. He’s our local bard, our very own William Shakespeare of music. This is the song that was there before my memories even formed — I don’t remember a time when I didn’t know it. Its lyrics ache with lost potential, pessimistic optimism, and the sad comfort of an often pathetic routine.
Beyond the Screenplay and IndieWire Filmmaker Toolkit, breaking down films from the perspectives of screenwriters, directors, and editors.
Mamas Talkin’ Loud, covering the lives of mothers working in theater and fueling inspiration for a budding writing project.
Any podcast interview with Greta Gerwig I can find, with favorites including her talks with Scriptnotes and Five Things with Lynn Hirschberg.