Much like last year, the recent announcement of Emmy nominations wasn’t even on my radar. After seeing the complete list, I understand why – nearly all of the shows nominated are just not on my spectrum at all.
I was out of the country for last year’s Emmys, so maybe I’m just out of the loop about what’s the norm now, but when did these categories widen to include so many slots? Although it’s great that this allows for more deserving people to be recognized, I almost find it overwhelming, particularly with the categories for Best Comedy and Drama. Although I’m terrible at keeping up with current shows, I do like to have at least some exposure to the nominated works and their actors, and that has become increasingly difficult to do with these kind of nominations.
I love sharing what books I think would translate well into films or mini-series, and part of those visions stem from how clearly I can see a certain actor as a character. Ever since I was little, I remember running a book’s story through my head as if I was directing a movie, picturing people I saw on TV as those in the story. Even now, some of these visions are so strong that I view any movie adaptation of a book I love warily, because it’s almost as if my own movie already exists.
I wanted to share some of my favorite “casting choices” – the actors I quickly adopted as characters when reading – from books that haven’t had any kind of adaptation yet. That being said, I think all of these stories would be brilliant as films (it may be a secret desire of mine to write a Millicent Min screenplay).
I didn’t find the online theater community until about three or four years ago (discovering Aaron Tveit through Les Mis may’ve been a huge catalyst), and when I saw The Heiress on Broadway in early 2013, I had just found out that meeting the cast at the stage door was a thing. I then went three and a half years without seeing a Broadway show, familiarizing myself and falling in love with this world from afar. I don’t know anything about acting and singing technicalities, but I believe that simply keeping up on community news and learning about people’s careers gave me pretty resourceful knowledge of Broadway history.
Now with a greater appreciation and love for what these creators, actors, and musicians do on a daily basis, I would get frustrated about not being able to see shows because of time, price, or (when I was away at school) location. Episodes of Show People and press footage of shows had to suffice – and I know I can’t complain, having been able to see a good amount of shows at pretty young ages. Think about it as the equivalent to the kids’ table at a family event – once you hit a certain age, you know the real goods are at the grown-ups’ table, and it’s so close, yet so far.
But then, back in June, some stars magically began to align.